Looking to self-publish but tight on funds? Want to build a fanbase before you’ve even released a book? Or, perhaps you want to fund a special project like a graphic novel or audiobook? If that’s you, then crowdfunding might just be your new best friend. Indie bestseller and self-publishing expert Ben Galley shares his top tips in this handy Q&A.
Issue 7 of Publishing Talk Magazine has a self-publishing theme. Learn how to design your own book cover, self-publish successfully, market your books, get started on social media, develop a content strategy and much more.
Lauren Child speaks exclusively to Lucy Coats at the Bologna Book Fair about One Thing, her first Charlie and Lola book for five years – and why she hopes to do for numbers what she’s already done for language and literacy.
Lucy Coats, Contributing Editor to the Children’s Publishing issue of Publishing Talk Magazine, reports back from this year’s Bologna Children’s Book Fair with details of new and forthcoming titles – and catches up with Children’s Laureate and Publishing Talk cover girl Malorie Blackman.
Steven Lenton, illustrator of children’s bestseller Shifty McGifty and Slippery Sam, and author/illustrator of Princess Daisy and the Dragon, shares with us his top seven secrets for success as a children’s book illustrator.
Some people enjoy writing for the sake of it, while others want to develop and improve. If you fall into the latter category then read this. A creative writing lecturer and published author with a new novel The Dark Light out in July 2015, Julia Bell is one of the UK’s foremost authorities on creative writing. Here, she shares with us the top ten pieces of advice she gives her students at the start of each year.
Danuta Kean looks at the fastest-selling paperback of all time – the publishing phenomenon that is Fifty Shades of Grey – and asks: “Why?”
As a writer, active member and chair of the London Writers’ Cafe – one of the largest writing groups in the UK – Lisa Goll knows a thing or two about how to get the most from participating in a writing community. Here she shares her top tips on finding the group that’s right for you, what to expect on joining and how to survive the writing velociraptors.
How Emily Benet used Wattpad as a launchpad, gained a million hits and a book deal with HarperCollins
Would you write a novel for free? That was the request that landed in my in-box back in 2012. The email came from a content manager at Wattpad. If you haven’t heard of it, it’s an online platform that lets you upload stories and read thousands of others for free. Their promo pack informed me of their ten million monthly readers. Imagine having that many people read your work? The request suddenly seemed a tiny bit appealing.
Whether you’re interested in writing drama or comedy, plays or sketches, BBC Radio 4 commissions hundreds of hours of original material every year – far more than BBC TV – and is always on the look out for new writing talent. BBC Radio 4 commissioner Caroline Raphael offers her top tips for aspiring radio writers.
Twitter: Huge distraction? Waste of time? Like shouting into an empty field? That’s what Saul Wordsworth used to think. But now his Twitter comedy character Alan Stoob has become a bestselling book, and may become a Hollywood movie. He reveals how he did it – and how you can create your own Twitter character.
This article first appeared in Publishing Talk Magazine issue 5. You can now download the…
Have you ever wanted to write about food? Award-winning food writer and journalist Andrew Webb…
In our first children’s publishing themed issue we’re delighted to have an exclusive interview with Children’s Laureate Malorie Blackman. She speaks to our contributing editor Lucy Coats about her path to publication, top writing tips – and the need for greater diversity in children’s books. This issue also features Kit Berry, Kate Wilson, Hilary Delamere, Steven Lenton, Nicola Morgan, Tom Evans and Suzanne Collier.
There are more options than ever for authors to self-publish print books. But they really boil down to three business models: Commission-Based, Upfront-Fee or Subscription, says Sarah Juckes, who outlines the pros and cons of each. Which one is right for you?
One of the most common questions I’m asked is: “How do I get an agent?” Let me shatter an almost universally held belief straight away: not all writers find their agents via the slush pile. Many take another route altogether. If I could present you with a pie chart of ‘ways to find an agent’, the slush pile would be a small sliver of that cake.