Productivity isn’t just a way to show off to colleagues and suck up to your boss. Getting things done allows you to spend more time doing the things you love and want to do. Bec Evans shares her favourite tactics to make short shrift of the long to-do list.
The end is in sight! Here’s your final week of writing prompts from Sarah Salway to see you through to the end of NaNoWriMo.
Are you half way through your NaNoWriMo draft? Here’s your next week of writing prompts from Sarah Salway!
Are you surviving NaNoWriMo? Here’s your second week of writing prompts from Sarah Salway to keep you going!
So it’s November, that month when many writers start an annual obsession with word counts and sleep deprivation! Whether or not you’re joining in the annual novelathon, boost your productivity by taking Sarah Salway’s challenge to write something every day for the next 30 days.
Kerry Wilkinson is something of an accidental author. His debut, Locked In, was written as a challenge to himself but, after self-publishing, it became a UK number one bestseller within three months of release. Then he signed a six-book deal with Pan Macmillan. Jon Reed asks him how he did it.
The book used to be the thing you marketed. Today it’s also a tool to market yourself or your business. Business coach, content consultant and publisher Alison Jones shares her advice for using self-publishing as a business strategy.
Have you been visited by the Muse lately? If you’re an indie author, you need more than one source of inspiration. Tom Evans looks at the Nine Muses needed for self-publishing success.
How does a literary agency sell its authors? Bestselling agent Andrew Lownie says there are three elements to selling books to publishers: 1) an agency needs to have saleable books in the first place; 2) the proposals need to be the best they can be; and 3) one needs to know the right editors to approach and not give up too easily.
Writers with a trade-publishing deal get automatic access to professional editors and proofreaders, but self-publishers have to source their own. Some writers think it’s fine to scrimp on this, but the truth is that every book needs to be edited and proofread, says Lucy Ridout.
For authors and publishers, content is our bread and butter. But content no longer just mean the products we publish – it also means marketing. So how do we build an effective content strategy? This question was addressed at the 2015 London Book Fair Publishing for Digital Minds Conference.
Writers are the masters of procrastination – it’s far simpler to type a search term into Google than it is to write the first line of a novel. We all procrastinate – but you can overcome it with practical strategies. So stop putting off your dreams and reward your future self, says Bec Evans.
From unfriend to selfie, social media is clearly having an impact on language. The words that surround us every day influence the words we use. Since so much of the written language we see is now on screens, language now evolves partly through our interaction with technology.
If you’re writing romantic fiction, sooner or later you’re going to have to write a sex scene. How can you avoid cliché, embarrassment – and a ‘Bad Sex’ award? Write in your usual style, and stop worrying, says Mitzi Szereto.
What can you do to maximise your chances of having your submission read and being taken on by a literary agent? We asked bestselling agent Andrew Lownie of the Andrew Lownie Literary Agency to share his top 7 tips.