Narrative nonfiction is nonfiction’s equivalent of the novel, says Daniel Smith. Here’s how to turn your idea into a compelling read.
Want to write a memoir? Adam Kay’s “This is Going to Hurt” is part of a new trend of immersive memoirs with a message. But what does it take to write and publish one?
New Year’s resolutions rarely make it past January. How can you make sure your writing resolution sticks? Chris Smith shares his rules for setting a goal you’ll stick to.
Writing in exotic locations – and occasionally shop windows – is all in a day’s work for narrative nonfiction author Isabel Losada.
Develop your craft with these 10 essential books for writers. How many have you read? And which others would you recommend?
There are lots of Twitter hashtags out there that are useful to help writers promote their work, connect with other writers, and – well – write. How do you use them, and which should you use?
Where does Wire in the Blood creator Val McDermid get her ideas? Danuta Kean investigates.
Feeling overwhelmed by your writing goal? Chris Smith of Prolifiko says you can achieve big things by thinking small. Here are his top 7 tips for incorporating a ‘small thinking’ methodology into your writing process.
Productivity isn’t just a way to show off to colleagues and suck up to your boss. Getting things done allows you to spend more time doing the things you love and want to do. Bec Evans shares her favourite tactics to make short shrift of the long to-do list.
The end is in sight! Here’s your final week of writing prompts from Sarah Salway to see you through to the end of NaNoWriMo.
Are you half way through your NaNoWriMo draft? Here’s your next week of writing prompts from Sarah Salway!
Are you surviving NaNoWriMo? Here’s your second week of writing prompts from Sarah Salway to keep you going!
So it’s November, that month when many writers start an annual obsession with word counts and sleep deprivation! Whether or not you’re joining in the annual novelathon, boost your productivity by taking Sarah Salway’s challenge to write something every day for the next 30 days.
Kerry Wilkinson is something of an accidental author. His debut, Locked In, was written as a challenge to himself but, after self-publishing, it became a UK number one bestseller within three months of release. Then he signed a six-book deal with Pan Macmillan. Jon Reed asks him how he did it.
Writers are the masters of procrastination – it’s far simpler to type a search term into Google than it is to write the first line of a novel. We all procrastinate – but you can overcome it with practical strategies. So stop putting off your dreams and reward your future self, says Bec Evans.
From unfriend to selfie, social media is clearly having an impact on language. The words that surround us every day influence the words we use. Since so much of the written language we see is now on screens, language now evolves partly through our interaction with technology.
If you’re writing romantic fiction, sooner or later you’re going to have to write a sex scene. How can you avoid cliché, embarrassment – and a ‘Bad Sex’ award? Write in your usual style, and stop worrying, says Mitzi Szereto.
Some people enjoy writing for the sake of it, while others want to develop and improve. If you fall into the latter category then read this. A creative writing lecturer and published author with a new novel The Dark Light out in July 2015, Julia Bell is one of the UK’s foremost authorities on creative writing. Here, she shares with us the top ten pieces of advice she gives her students at the start of each year.
As a writer, active member and chair of the London Writers’ Cafe – one of the largest writing groups in the UK – Lisa Goll knows a thing or two about how to get the most from participating in a writing community. Here she shares her top tips on finding the group that’s right for you, what to expect on joining and how to survive the writing velociraptors.
Whether you’re interested in writing drama or comedy, plays or sketches, BBC Radio 4 commissions hundreds of hours of original material every year – far more than BBC TV – and is always on the look out for new writing talent. BBC Radio 4 commissioner Caroline Raphael offers her top tips for aspiring radio writers.
Matthew de Abaitua shares his advice on creating strange new worlds. This article first appeared…
Have you ever wanted to write about food? Award-winning food writer and journalist Andrew Webb…
How to write a book proposal and what exactly it needs to include are two of the questions I am asked most frequently as a literary agent – and not just by new writers. Even seasoned authors and experienced journalists may not have written a book proposal previously. In any book submission process the competition will be immense and the turndown rate high, so it is worth taking the time to get a proposal right. But what does that mean?
Do you have writer’s cramp yet? Or typist’s tremor? Have you entered the annual November writing marathon that is NaNoWriMo (National Novel Writing Month)? If you did, did you finish, or did you give up exhausted halfway through the month?
Not all romantic novelists dictate their novels reclining on a chaise longue. Liz Fenwick tells…
What do agents really want? A unique voice, storytelling ability, likeable characters and believable dialogue, says Danuta Kean.
Yesterday I taught my first Guardian Masterclass of the year on how to pitch your book. A question students always ask is: what exactly do agents want? It is easier to answer than you might think. Of course everyone in publishing would say ‘voice’, by which they mean the character and personality of the writing. Agents want a voice that is unique, fresh and engaging. If you remain unclear what that means, the best way to understand is to read, read and read contemporary books.
As November eases into December, and NaNoWriMo ends in delivery or defeat, there’s a new seasonal online writing event to act as a mini come-down from the demands of bashing out a novel in a month. And you don’t need to write 50,000 words: you only need 140 characters.
Writers’ block: two words that strike fear into every writer. But for the past 11 years every November a website has come to the rescue. National Novel Writing Month was founded in 1999 by US-based freelance Chris Baty and 20 other writers. Aimed simply at getting words on the page, it sets participants a target of 50,000 words written by the end of the month, and provides forums and exercises aimed at overcoming writer’s block. It has an impressive success rate: of the 165,000 participants in 2009, over 30,000 crossed the 50,000 word line at the end of November.
One of those who participated in 2008 was creative writing graduate Julia Crouch, who had hit a wall. It helped more than she expected: before Christmas the books that came out of NaNoWriMo won her a three book deal with Headline. Her début, the psychological thriller Cuckoo, is published in March. Here she explains how NaNoWriMo helped.
January is a time for change, for inspiration, for doing something new – but it’s also cold, damp and dreary so staying in and writing is the perfect thing to do (preferably on the sofa). At London Writers’ Club we decided to support our community of writers throughout the month of January by launching our first Stay in and Write month – 31 days of writing ideas, inspiration, writing exercises and inspiring advice from editors, publishers, agents and authors. I’d like to share with you ten of the top ways to Stay in and Write in January here.
Want to be a bestselling novelist? In the first of our features on writing, Barbara Taylor Bradford tells Danuta Kean what it takes.
Barbara Taylor Bradford is a tonic: a tonic for writers jaded by capricious publishers whose loyalty to authors’ careers is barely longer than a supermarket promotion. She is also a lesson to all that hard work is as essential to a long career as a passion about writing. At 77 there is no slacking off for BTB. Thirty-one years after her blockbuster début A Woman of Substance appeared, she has just published her 26th novel, Playing the Game, backed by a publicity schedule that would daunt far younger writers.