Choosing the right publisher is vital to the process of getting published, and with such a wide variety of markets and publishing options available, it’s critical that authors research those options. International speaker, author and thought leadership strategist Mindy Gibbins-Klein shares her top tips for making the right choice.
Social media has been key to Emily Benet’s success as a writer. Her first book, Shop Girl Diaries, started life as a blog; her second, The Temp, as a serialised novel posted online; and her latest, #PleaseRetweet, is a comedy about social media obsession. Social media is a wonderful tool for writers – but it has pitfalls too. The key is to use it, and not let it use you, as she reveals in her top pros and cons of social media for writers.
Looking to self-publish but tight on funds? Want to build a fanbase before you’ve even released a book? Or, perhaps you want to fund a special project like a graphic novel or audiobook? If that’s you, then crowdfunding might just be your new best friend. Indie bestseller and self-publishing expert Ben Galley shares his top tips in this handy Q&A.
Issue 7 of Publishing Talk Magazine has a self-publishing theme. Learn how to design your own book cover, self-publish successfully, market your books, get started on social media, develop a content strategy and much more.
Lauren Child speaks exclusively to Lucy Coats at the Bologna Book Fair about One Thing, her first Charlie and Lola book for five years – and why she hopes to do for numbers what she’s already done for language and literacy.
Lucy Coats, Contributing Editor to the Children’s Publishing issue of Publishing Talk Magazine, reports back from this year’s Bologna Children’s Book Fair with details of new and forthcoming titles – and catches up with Children’s Laureate and Publishing Talk cover girl Malorie Blackman.
Steven Lenton, illustrator of children’s bestseller Shifty McGifty and Slippery Sam, and author/illustrator of Princess Daisy and the Dragon, shares with us his top seven secrets for success as a children’s book illustrator.
Some people enjoy writing for the sake of it, while others want to develop and improve. If you fall into the latter category then read this. A creative writing lecturer and published author with a new novel The Dark Light out in July 2015, Julia Bell is one of the UK’s foremost authorities on creative writing. Here, she shares with us the top ten pieces of advice she gives her students at the start of each year.
Danuta Kean looks at the fastest-selling paperback of all time – the publishing phenomenon that is Fifty Shades of Grey – and asks: “Why?”
As a writer, active member and chair of the London Writers’ Cafe – one of the largest writing groups in the UK – Lisa Goll knows a thing or two about how to get the most from participating in a writing community. Here she shares her top tips on finding the group that’s right for you, what to expect on joining and how to survive the writing velociraptors.
How Emily Benet used Wattpad as a launchpad, gained a million hits and a book deal with HarperCollins
Would you write a novel for free? That was the request that landed in my in-box back in 2012. The email came from a content manager at Wattpad. If you haven’t heard of it, it’s an online platform that lets you upload stories and read thousands of others for free. Their promo pack informed me of their ten million monthly readers. Imagine having that many people read your work? The request suddenly seemed a tiny bit appealing.
Whether you’re interested in writing drama or comedy, plays or sketches, BBC Radio 4 commissions hundreds of hours of original material every year – far more than BBC TV – and is always on the look out for new writing talent. BBC Radio 4 commissioner Caroline Raphael offers her top tips for aspiring radio writers.
Twitter: Huge distraction? Waste of time? Like shouting into an empty field? That’s what Saul Wordsworth used to think. But now his Twitter comedy character Alan Stoob has become a bestselling book, and may become a Hollywood movie. He reveals how he did it – and how you can create your own Twitter character.
This article first appeared in Publishing Talk Magazine issue 5. You can now download the…
Have you ever wanted to write about food? Award-winning food writer and journalist Andrew Webb…
In our first children’s publishing themed issue we’re delighted to have an exclusive interview with Children’s Laureate Malorie Blackman. She speaks to our contributing editor Lucy Coats about her path to publication, top writing tips – and the need for greater diversity in children’s books. This issue also features Kit Berry, Kate Wilson, Hilary Delamere, Steven Lenton, Nicola Morgan, Tom Evans and Suzanne Collier.
There are more options than ever for authors to self-publish print books. But they really boil down to three business models: Commission-Based, Upfront-Fee or Subscription, says Sarah Juckes, who outlines the pros and cons of each. Which one is right for you?
One of the most common questions I’m asked is: “How do I get an agent?” Let me shatter an almost universally held belief straight away: not all writers find their agents via the slush pile. Many take another route altogether. If I could present you with a pie chart of ‘ways to find an agent’, the slush pile would be a small sliver of that cake.
Ben Galley is a young self-published author of the epic and gritty fantasy series The Emaneska Series. He has published four books to date, and doesn’t intend to stop any time soon. Zealous about inspiring other authors and writers, Ben also runs the popular advice site Shelf Help, and is the co-founder and director of ebook store Libiro. He became a successful full-time ‘authorpreneur’ at the age of 26 and within a few years of publishing his first book. Jon Reed asks him how he did it.
WordPress is the blogging software I always recommend. It is flexible, extendible, easy to use – and free. But there is more to it than writing a personal online journal. You can use it to build a website, promote your books – and build a community. Here are 10 ways to make the most of it.
While some publishers view digital as a dystopian nightmare, Alastair Horne considers six science fiction themes and how they illustrate a more positive future for the industry.
Some called it the ‘Quietly Confident Fair’, some the ‘Smiley Fair’ – and one literary scout called it the ‘Fair of the Partial Submission’. There were no empty stands – and the Halls were buzzing. So what really made the 51st Bologna Children’s Book Fair tick? What was hot (and what was not)?
In our science fiction and fantasy themed issue ‘High Priestess of British Steampunk’ Liesel Schwarz reveals her path to publication, while self-published fantasy author Ben Galley reveals how he became a successful ‘authorpreneur’. This issue also features Matthew de Abaitua, Keith Mansfield, Alastair Horne, Anna Lewis, Nelle Andrew, Tom Evans and Suzanne Collier.
Many careers advisors say that you need to make yourself visible by blogging in order to get a job. But this is not necessarily the case: your blog could be working against you and killing your job prospects instead of helping you land the job you so richly want, says Suzanne Collier.
How to write a book proposal and what exactly it needs to include are two of the questions I am asked most frequently as a literary agent – and not just by new writers. Even seasoned authors and experienced journalists may not have written a book proposal previously. In any book submission process the competition will be immense and the turndown rate high, so it is worth taking the time to get a proposal right. But what does that mean?
Do you have writer’s cramp yet? Or typist’s tremor? Have you entered the annual November writing marathon that is NaNoWriMo (National Novel Writing Month)? If you did, did you finish, or did you give up exhausted halfway through the month?
When people ask me what it takes to write a book that sells, I tell them it is 50% writing and 50% marketing. As an author you are marketing yourself as well as your book. The challenge is to find your audience and then connect with them. If they like you and your book, they will spread the word.
Many good self-published books are let down by the quality of their cover, which can scupper the chances of it selling as many copies as it deserves. So how can you give your book the best possible chance?
Are We Nearly There Yet? How Ben Hatch topped the Kindle non-fiction charts thanks to the support of his Twitter followers
After a disastrous launch, Ben Hatch’s book Are We Nearly There Yet? went to number one in the Kindle non-fiction charts. He tells is us how his book became a bestseller thanks to the support of his Twitter followers.
When science fiction novel The Red Men was first written, ebooks and video sharing were…